Sarah K. Horowitz
San Francisco–based visual artist working in acrylic, monoprinted tissue, and found paper
In the Overgrowth of the Underbrush, 2024, acrylic on gallery-wrapped canvas, 40 x 40 in. Sold.
ON NOW
New paintings and collages
Happen to be in Spain? From now until Saturday, November 29, 2025, you can check out the wide-ranging products of Sarah's art residency in person at The Local AIR Valencia gallery, Carrer de Cambrils 7, Valencia.
Autumn work includes two Secret View paintings and a new series of darker pieces in acrylic and found paper.
Thanks to everyone who came to the Gaps and Glances reception, or dropped by during SFOS Weekend 1.
About Gaps & Glances: The exhibition brought together two series that each focus on somewhere or something that’s been overlooked—from physical spaces in the city, to economic inequities between men and women.
The Secret Views paintings show backyards framed by fire escapes, windows caught between branches, and sneaky peeks over fences—urban views that feel both familiar and forbidden.
The Gender Wage Gap series translates economic data into visual form. The piece 85 Percent of a View from Mississippi Street, for example, leaves 15 percent of the painting blank—because for every dollar a man makes, a woman makes just 85 cents.
Gaps & Glances ended on Sept. 30, but remaining paintings are available through the Ingleside Gallery website.
IN THE PRESS
Review: Gaps and Glances
Artist and art journalist Kelly Jean Egan writes about the show for Roborant Review.
